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Two courses are offered in the
Sixth Form: Art and Design and 'History
of Art'.
ART
AND DESIGN
Syllabus: AQA AS 5202 A
level 6202
What will I learn on this
A level course?
The main purpose of any course in art, craft and design is to develop
your ability to appreciate the visual world, respond in a personal
and creative way and perhaps even contribute for the benefit of
everyone.
The skills you will develop will be varied. Among them, you will
develop a working knowledge of materials, practices and technology
within art. You will develop the skills to interpret and convey
your ideas and feelings using art, craft and design. You will develop
your imaginative and creative powers and your experimental, analytical
and documenting skills. You will also develop a specialist vocabulary
and the knowledge and understanding of the place of art, craft and
design in history and in contemporary society.
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Click on the above to
see 6ii students in their summer art exam
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What examinations will I have
to take to get my qualification?
Advanced Subsidiary (AS)
The AS level is made up of three
units.
Unit 1 Thematic Enquiry 30% of the AS or 15% of the A level
You will be required to work from a given starting theme towards
one or more well-considered conclusions.
Unit 2 Expressive Study 30% of AS, 15% of A level
You will explore the expressive force of art and design. You will
learn how to use appropriate language and practices to express your
own ideas. You should use a work journal to develop your understanding
of the formal elements of art.
Unit 3 Externally Set Assignment 40% of AS, 20 % of A level
A question paper will be given to you at the beginning of the Autumn
term in the first year of the course, which will provide you with
a choice of question. This will be taken at the end of the AS course
and represents the culmination of your work so far.
Advanced Level (A2)
The full A level qualification is made up of the three AS units
as above, plus three more units studied at higher level.
Unit 4 Contextual Study 15% of A level
The Contextual Study requires you to link your own practical work
with a broader study of the world of art, craft and design. It can
take a variety of forms. It could, for example, be a written and
illustrated thesis of up to 1,500-2,000 words. It may take the form
of a substantial display, a tape or slide presentation, a video,
a combination of these or any other equivalent form agreed by your
teacher. An important skill to develop in communication is the control
of the design and presentation of your Study.
Unit 5 Problem-Solving 30% of A level
You will be required to identify a 'problem', in art or in society.
You must then present your thoughts and your suggested solutions
to this problem. This will include both visual and written or spoken
evaluations to chart your progress towards the solution. You will
need to explain why you have taken these decisions instead of others.
Unit 6 Independent Study 20% of A level
The Independent Study gives you the opportunities to show how you
can use art to communicate and express your ideas. By this stage
in the course, you will have developed your own personal style.
This is your chance to express it fully and show the extent to which
you can use the language of the subject and your understanding of
the formal elements, the process and the practices of art, craft
and design, to communicate your own ideas, thoughts and feelings.
'HISTORY
OF ART' or to give it its full title ART AND DESIGN:HISTORICAL AND CRITICAL
Syllabus: AQA AS 5251 A
level 6251
Students wishing to follow this course do not necessarily need
to have any previous knowledge of the subject nor do they need to
be following an Art and Design course at A level. It is generally
expected that these courses will extend for two years; however,
in certain cases, less time may be taken. The courses do involve
trips to galleries in London, Cambridge and Europe which will involve
extra cost.
This course is intended to introduce candidates to the European
cultural and historical heritage in a way that they will not have
studied before. It introduces both medieval art and the revival
of classicism at the Renaissance as the bases for most later developments
in European Art and Architecture.
The specification is intended to:
- introduce candidates to broad chronological periods in the History
of European Art in painting and sculpture, and architecture;
- introduce them to the more specialised study of selected topics
in some depth;
- encourage, in the theses, individual study of a topic chosen
by the student under supervision.
It is appreciated that some students may have included historical
and critical studies from different cultural backgrounds as part
of a GCSE course in Art and Design. Such skills developed at GCSE,
whilst forming a useful basis for development, are not a prerequisite
for study of this specification. The scheme of assessment includes
a thesis as one of its distinguishing features. The thesis has a
broad framework particularly suited to the needs of candidates who
may wish to build on critical skills developed from studying different
cultural backgrounds. The chosen topic may be free-standing and
concerned with a topic not directly dependent on the subject content
of this specification, but it must be an art historical topic of
which the candidate has first-hand knowledge and to which there
can be personal contribution by research. Topics in non-European
History are encouraged for the thesis, and section 6(e) in Notes
to Candidates illustrates some of the possibilities open to candidates
with knowledge, understanding and interest in art and architecture
of other cultures. It is seen as desirable that candidates should
choose their own thesis topic but preliminary discussion with the
teacher about the feasibility and implications of their choice is
advisable before submission of the Proposal Form to the teacher
for approval.
The other distinguishing feature of this specification is the emphasis
on the equal study of European Painting and Sculpture and European
Architecture. The chronological range of periods specified permits
the concurrent study of painting. sculpture and architecture.
Study of works, in so far as is possible in the original, is encouraged.
This course places emphasis on the study of major works of art and
architecture. Many of the works are in collections in London, Liverpool,
Birmingham, Edinburgh, Cardiff, etc. although others are abroad.
Much work will be possible with the use of slides and the variety
of other resources available, but trips to galleries, both in this
country and abroad, are an essential part of this course.
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